(2020) Music for Viola & Chamber Orchestra: Vaughan Williams, Martinu, Hindemith & Britten Bruno Philippe Le Quatuor Terpsycordes et Fabrizio

Le Quatuor Terpsycordes et Fabrizio Chiovetta

Mossman is a complete musician – A soloist

L’ensemble vocal suisse Lamaraviglia témoigne de l’influence européenne de ce psautier

Virtuosity gives a composer wings with which to soar above the commonplace and the platitudinous

Hommage à l'OCL (Live)

(2020) Music for Viola & Chamber Orchestra: Vaughan Williams, Martinu, Hindemith & Britten Bruno Philippe Le Quatuor Terpsycordes et FabrizioThierry Scherz Prize Sommets Musicaux de Gstaad 2019 The wealth of music composed for the viola in the 20th century almost lets one forget the dearth of it in the 19th, which brought forth only two solo works of note: Hector Berliozs Harold in Italy, a concerto commissioned by Paganini that sidelines the viola so much he refused to play it; and Richard Strausss Don Quixote, in which the solo viola is relegated to the part of the Dons sidekick Sancho