(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itself
Description
TEMPO GIUSTO thus considers itself as the antipode to those chamber ensembles de dedicated to so-called “original instruments” and “original sonorities”
but to portray the «spirit»
they are back with Claves with
upon which he would immediately stop work on this composition
These original compositions for piano four hands represent the particularly elegant and cultivated aspects of French music
(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itselfNo description available
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