Reclining Composition in Ochre with Blue show_depth so I kept a shell-like
Description
so I kept a shell-like texture and colour for much of her body and left it in outline
because it’s a colour that symbolises love and seemed the perfect fit
Painted whilst staying in Ken Howard's studio in the early 2000's
His illustrations recorded key moments in western civilization from the 1930s until the recent past
His ink illustrations seemed to be carved out of stone and there was a tremendous strength and gravity to it all
Reclining Composition in Ochre with Blue show_depth so I kept a shell-like
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