Glenn Fabry Still Lifes usually towards the grey/brown end

usually towards the grey/brown end of the spectrum

It is painterly and energetic and often sombre and melancholic

standing atop a vintage tool box

A classic spurrier nude

many of his oils were on the smaller scale and the majority depicting beautiful women he encountered in the Café Society around Brussels

Glenn Fabry Still Lifes usually towards the grey/brown end"When I first read the 2000 AD comics in the 1980s, Glenns work became hugely influential. He worked on the comics Sline character for a while and when he painted the Demon Killer story arc, I became a fan for life. His knowledge of painting and anatomy is absolute."